Tesla founder Elon Musk has revived a legal action against OpenAI, alleging the organisation abandoned its original non-profit mission. Filed in a California federal court, the amended complaint names Microsoft, Reid Hoffman, and Dee Templeton as defendants. Additional plaintiffs, including Shivon Zilis, a Neuralink executive and ally of Musk, have also joined the case.
Musk, a co-founder of OpenAI, accuses the organisation of exploiting Microsoft’s infrastructure in what his lawyers describe as a ‘de facto merger.’ He claims OpenAI has benefited from favourable treatment by Microsoft, disadvantaging competitors such as xAI, Musk’s AI venture. The lawsuit also raises concerns over alleged antitrust violations involving OpenAI board members and their connections to Microsoft.
The filing alleges Reid Hoffman and Dee Templeton facilitated agreements between OpenAI and Microsoft that violated antitrust laws. It further details how Hoffman’s dual roles at Microsoft and OpenAI may have allowed access to sensitive information. Zilis, a former OpenAI board member, expressed similar concerns internally but was reportedly ignored.
Musk’s lawyers argue that OpenAI’s transition to a profit-driven model undermines its foundational principles of transparency and safety. The complaint references incidents such as a 2018 cryptocurrency proposal that Musk vetoed, citing potential reputational harm. OpenAI has dismissed the lawsuit as baseless and characterised it as a publicity stunt.
YouTube is testing an AI-driven feature allowing select creators to remix songs by describing desired stylistic changes. This builds on its Dream Track toolset, which debuted last year and lets users generate AI-based tracks using artist vocals. The new feature, ‘Restyle a track,’ enables creators to transform a song’s genre or mood, producing 30-second snippets for Shorts while preserving the original’s essence.
The tool uses Google DeepMind’s Lyria model and ensures proper crediting of the original music. YouTube has partnered with Universal Music Group to compensate artists and rights holders, addressing potential concerns from the music industry. Creators participating in the trial can experiment with a limited selection of tracks under this system.
This development follows a growing trend of platforms enabling AI-generated music customisation. YouTube’s approach highlights its commitment to both creative innovation and maintaining industry standards. Competitors like Hook, an app for remixing music, are also exploring similar functionalities for short-form video content.
Adobe has unveiled new AI tools that allow users to create modified images from its stock photo library while ensuring the original creators are compensated. The software giant, known for products like Photoshop, has been rapidly integrating AI into its platform as it faces competition from newer firms like OpenAI. Adobe‘s strategy focuses on making AI-generated content legally safe for commercial use and guaranteeing fair payments for artists.
The newly released tools enable customers to take stock images and modify them with AI to meet specific requirements. Adobe compensates the original image creators as if their unmodified work was used, ensuring fair earnings. Matthew Smith, Adobe’s vice president for strategy, design, and emerging products, emphasised that the goal is to enhance creative possibilities, not replace traditional stock imagery or artists.
Smith also highlighted the demand for flexible content creation. While some users prefer generating images from text prompts, many still need to adapt conventional stock images to fulfil their unique purposes. Generative AI, he said, provides an opportunity for creatives to increase their potential earnings by making their contributions more adaptable.
Google is testing an AI-driven feature for YouTube Shorts, allowing creators to alter licensed audio tracks to fit different styles or genres. Part of YouTube’s Dream Track experiment, the feature lets select creators customise songs by simply describing their desired transformation, such as changing the music genre. YouTube’s AI then generates a 30-second soundtrack for the creator’s short video, maintaining the original vocals and lyrics.
The experimental tool has clear attribution rules, ensuring viewers can see that the song has been restyled with AI. Videos featuring these AI-enhanced tracks will display the original song information and note that AI was used to alter the sound. This setup helps protect the rights of original music creators while giving video makers new artistic possibilities.
The Dream Track experiment has been in testing since last year, initially giving creators access to AI-generated artist voices with approved songs. This latest feature now expands to allow broader soundtrack customisation within Shorts, aiming to boost creator flexibility and viewer engagement.
Separately, YouTube is testing a swipe-up feature for its Android app, making it easier to navigate between videos. Available to a limited number of users, the swipe-up gesture now brings a navigation method similar to Instagram Reels, potentially signalling an interface shift across YouTube’s mobile platform.
French news publishers, including Le Monde, Le Figaro, and Le Parisien, have taken legal action against the social media platform X, formerly Twitter, over alleged unpaid content rights. They argue that X has distributed their material without compensation, as required by French ancillary rights laws, which mandate payments to news outlets when digital platforms use their content.
The dispute centres around X’s refusal to open negotiations with French media, contrasting with platforms like Google and Meta, which have reached agreements with publishers. French newspapers contend that X has ignored an order by the Paris Court of Justice from May, which requires the company to disclose financial information needed to determine the amount owed.
In a statement, the publishers emphasised that revenue from these payments supports media independence, plurality, and quality, contributing to freedom of expression and the right to information in society. They argue that securing these funds is vital for sustaining a democratic press.
A representative of the Paris court has confirmed that a hearing will take place on May 15, 2025, where both parties will present their cases. X, owned by billionaire Elon Musk, has yet to comment on the legal challenge.
Disney is establishing a new division, the Office of Technology Enablement, dedicated to advancing the company’s use of AI and mixed reality (XR). Led by Jamie Voris, Disney’s former chief technology officer for its film studio, the unit will oversee projects across Disney’s film, television, and theme park segments to leverage these rapidly evolving technologies. This group will focus on coordinating various initiatives without centralising them, ensuring each project aligns with Disney’s broader technological strategy.
The new office, which will ultimately expand to about 100 employees, comes as Disney looks to tap into cutting-edge AI and augmented reality (AR) applications. Disney Entertainment Co-Chairman Alan Bergman emphasised the importance of exploring AI’s potential while mitigating risks, signaling Disney’s intention to create next-generation experiences for theme parks and home entertainment. Voris’s leadership will be succeeded by Eddie Drake as Disney’s new film studio CTO.
Disney has been actively building expertise in AR and virtual reality (VR) as technology companies like Meta and Apple compete in the emerging AR/VR market. The company also rehired Kyle Laughlin, a specialist in these technologies, as Senior VP of Research and Development for Disney Imagineering, its theme park innovation branch. By assembling a team with expertise in advanced tech, Disney aims to create immersive, engaging experiences for its global audience.
Google has won a trademark lawsuit brought by Shorts International, a British company specialising in short films, over the use of the word ‘shorts’ in YouTube‘s short video platform, YouTube Shorts. London’s High Court found no risk of consumer confusion between Shorts International’s brand and YouTube’s platform, which launched in 2020 as a response to TikTok‘s popularity.
Shorts International, known for its short film television channel, argued that YouTube Shorts infringed on its established trademark. However, Google’s lawyer, Lindsay Lane, countered that it was clear the ‘Shorts’ platform belonged to YouTube, removing any chance of brand confusion.
Judge Michael Tappin ruled in favour of Google, stating that the use of ‘shorts’ by YouTube would not affect the distinctiveness or reputation of Shorts International’s trademark. The court’s decision brings the legal challenge to a close, dismissing all claims of infringement.
ForceField is unveiling its new technology at the 2024 TechCrunch Disrupt, introducing tools aimed at fighting deepfakes and manipulated content. Unlike platforms that flag AI-generated media, ForceField authenticates content directly from devices, ensuring the integrity of digital evidence. Using its HashMarq API, the startup verifies the authenticity of data streams by generating a secure digital signature in real time.
The company uses blockchain technology for smart contracts, safeguarding content without relying on cryptocurrencies or web3 solutions. This system authenticates data collected across various platforms, from mobile apps to surveillance cameras. By tracking metadata like time, location, and surrounding signals, ForceField provides insights that aid journalists, law enforcement, and organisations in verifying the accuracy of submitted media.
ForceField was inspired by CEO MC Spano’s personal experience in 2018, when she struggled to submit video evidence following an assault. Her frustration with the justice system sparked the creation of technology that could simplify evidence submission and ensure its acceptance. Now the startup is working with clients such as Erie Insurance and plans to launch commercially by early 2025, focusing initially on the insurance sector but with applications in media and law enforcement.
The company, which is entirely woman-led, has gained financial backing from several angel investors and strategic partnerships. Spano aims to raise a seed round by year’s end, highlighting the importance of diversity in tech leadership. As AI-generated content continues to flood the internet, ForceField’s tools offer a new way to validate authenticity and restore trust in digital information.
A new podcast titled Virtually Parkinsonbrings back the voice of Sir Michael Parkinson, using AI technology to simulate the late chat show host. Produced by Deep Fusion Films with support from Parkinson’s family, the series aims to recreate his interview style across eight episodes, featuring new conversations with prominent guests.
Mike Parkinson, son of the late broadcaster, explained that the family wanted listeners to know the voice is an AI creation, ensuring transparency. He noted the project was inspired by conversations he had with his father before he passed, saying Sir Michael would have found the concept intriguing, despite being a technophobe.
The release comes amid growing controversy around AI’s role in the creative arts, with many actors and presenters fearing it could undermine their careers. Though AI is often criticised for replacing real talent, Parkinson’s son argued that the podcast offers a unique way to extend his father’s legacy, without replacing a living presenter.
Co-creator Jamie Anderson clarified that the AI version acts as an autonomous host, conducting interviews in a way reflective of Sir Michael’s original style. The podcast seeks to introduce his legacy to younger audiences, while also raising ethical questions about the use of AI to recreate deceased individuals.
Universal Music Group (UMG) has announced a partnership with Los Angeles-based AI music company KLAY Vision to create AI tools designed with an ethical framework for the music industry. According to Universal, the initiative focuses on exploring new opportunities for artists and creating safeguards to protect the music ecosystem as AI continues to evolve in creative spaces. Michael Nash, Universal’s chief digital officer, emphasised the importance of ethical AI use for artists’ rights in a rapidly changing industry.
The collaboration comes as Universal Music faces ongoing legal battles with other AI companies, including Anthropic AI, Suno, and Udio, over the use of its recordings in training music-generating AI models without authorisation. These cases highlight the growing concerns surrounding AI technology’s impact on the creative sector, particularly with respect to artists’ rights and intellectual property.
With this partnership, Universal Music aims to establish AI technologies that support artists’ needs while navigating the complex ethical questions surrounding AI-generated music. By working alongside US based KLAY Vision, Universal hopes to shape the future of AI in music responsibly and to develop solutions that ensure fair treatment of artists and their work.
