AI slop’s meteoric rise and the impact of synthetic content in 2026

In December 2025, the Macquarie Dictionary, Merriam-Webster, and the American Dialect Society named ‘slop’ as the Word of the Year, reflecting a widespread reaction to AI-generated content online, often referred to as ‘AI slop.’ By choosing ‘slop’, typically associated with unappetising animal feed, they captured unease about the digital clutter created by AI tools.

As LLMs and AI tools became accessible to more people, many saw them as opportunities for profit through the creation of artificial content for marketing or entertainment, or through the manipulation of social media algorithms. However, despite video and image generation advances, there is a growing gap between perceived quality and actual detection: many overestimate how easily AI content evades notice, fueling scepticism about its online value.

As generative AI systems expand, the debate goes beyond digital clutter to deeper concerns about trust, market incentives, and regulatory resilience. How will societies manage the social, economic, and governance impacts of an information ecosystem increasingly shaped by automated abundance? In simplified terms, is AI slop more than a simple digital nuisance, or do we needlessly worry about a transient vogue that will eventually fade away?

The social aspect of AI slop’s influence

The most visible effects of AI slop emerge on large social media platforms such as YouTube, TikTok, and Instagram. Users frequently encounter AI-generated images and videos that appropriate celebrity likenesses without consent, depict fabricated events, or present sensational and misleading scenarios. Comment sections often become informal verification spaces, where some users identify visual inconsistencies and warn others, while many remain uncertain about the content’s authenticity.

However, no platform has suffered the AI slop effect as much as Facebook, and once you take a glance at its demographics, the pieces start to come together. According to multiple studies, Facebook’s user base is mostly populated by adults aged 25-34, but users over the age of 55 make up nearly 24 percent of all users. While seniors do not constitute the majority (yet), younger generations have been steadily migrating to social platforms such as TikTok, Instagram, and X, leaving the most popular platform to the whims of the older generation.

Due to factors such as cognitive decline, positivity bias, or digital (il)literacy, older social media users are more likely to fall for scams and fraud. Such conditions make Facebook an ideal place for spreading low-quality AI slop and false information. Scammers use AI tools to create fake images and videos about made-up crises to raise money for causes that are not real.

The lack of regulation on Meta’s side is the most glaring sore spot, evidenced by the company pushing back against the EU’s Digital Services Act (DSA) and Digital Markets Act (DMA), viewing them as ‘overreaching‘ and stifling innovation. The math is simple: content generates engagement, resulting in more revenue for Facebook and other platforms owned by Meta. Whether that content is authentic and high-quality or low-effort AI slop, the numbers don’t care.

The economics behind AI slop

At its core, AI content is not just a social media phenomenon, but an economic one as well. GenAI tools drastically reduce the cost and time required to produce all types of content, and when production approaches zero marginal cost, the incentive to churn out AI slop seems too good to ignore. Even minimal engagement can generate positive returns through advertising, affiliate marketing, or platform monetisation schemes.

AI content production goes beyond exploiting social media algorithms and monetisation policies. SEO can now be automated at scale, thus generating thousands of keyword-optimised articles within hours. Affiliate link farming allows creators to monetise their products or product recommendations with minimal editorial input.

On video platforms like TikTok and YouTube, synthetic voice-overs and AI-generated visuals are on full display, banking on trending topics and using AI-generated thumbnails to garner more views on a whim. Thanks to AI tools, content creators can post relevant AI-generated content in minutes, enabling them to jump on the hottest topics and drive clicks faster than with any other authentic content creation method.

To add salt to the wound, YouTube content creators share the sentiment that they are victims of the platform’s double standards in enforcing its strict community guidelines. Even the largest YouTube Channels are often flagged for a plethora of breaches, including copyright claims and depictions of dangerous or illegal activities, and harmful speech, to name a few. On the other hand, AI slop videos seem to fly under YouTube’s radar, leading to more resentment towards AI-generated content.

Businesses that rely on generative AI tools to market their services online are also finding AI to be the way to go, as most users are still not too keen on distinguishing authentic content, nor do they give much importance to those aspects. Instead of paying voice-over artists and illustrators, it is way cheaper to simply create a desired post in under a few minutes, adding fuel to an already raging fire. Some might call it AI slop, but again, the numbers are what truly matter.

The regulatory challenge of AI slop

AI slop is not only a social and economic issue, but also a regulatory one. The problem is not a single AI-generated post that promotes harmful behaviour or misleading information, but the sheer scale of synthetic content entering digital platforms. When large volumes of low-value or deceptive material circulate on the web, they can distort information ecosystems and make moderation a tough challenge. Such a predicament shifts the focus from individual violations to broader systemic effects.

In the EU, the DSA requires very large online platforms to assess and mitigate the systemic risks linked to their services. While the DSA does not specifically target AI slop, its provisions on transparency, content recommendation algorithms, and risk mitigation could apply if AI content significantly affects public discourse or enables fraud. The challenge lies in defining when content volume prevails over quality control, becoming a systemic issue rather than isolated misuse.

Debates around labelling AI slop and transparency also play a large role. Policymakers and platforms have explored ways to flag AI-generated content throughout disclosures or watermarking. For example, OpenAI’s Sora generates videos with a faint Sora watermark, although it is hardly visible to an uninitiated user. Nevertheless, labelling alone may not address deeper concerns if recommendation systems continue to prioritise engagement above all else, with the issue not only being whether users know the content is AI-generated, but how such content is ranked, amplified, and monetised.

More broadly, AI slop highlights the limits of traditional content moderation. As generative tools make production faster and cheaper, enforcement systems may struggle to keep pace. Regulation, therefore, faces a structural question: can existing digital governance frameworks preserve information quality in an environment where automated content production continues to grow?

Building resilience in the era of AI slop

Humans are considered the most adaptable species on Earth, and for good reason. While AI slop has exposed weaknesses in platform design, monetisation models, and moderation systems, it may also serve as a catalyst for adaptation. Unless regulatory bodies unite under one banner and agree to ban AI content for good, it is safe to say that synthetic content is here to stay. However, sooner or later, systemic regulations will evolve to address this new AI craze and mitigate its negative effects.

The AI slop bubble is bound to burst at some point, as online users will come to favour meticulously crafted content – whether authentic or artificial over low-quality content. Consequently, incentives may also evolve along with content saturation, leading to a greater focus on quality rather than quantity. Advertisers and brands often prioritise credibility and brand safety, which could encourage platforms to refine their ranking systems to reward originality, reliability, and verified creators.

Transparency requirements, systemic risk assessments, and discussions around provenance disclosure mechanisms imply that governance is responding to the realities of generative AI. Instead of marking the deterioration of digital spaces, AI slop may represent a transitional phase in which platforms, policymakers, and users are challenged to adjust their expectations and norms accordingly.

Finally, the long-term outcome will depend entirely on whether innovation, market incentives, and governance structures can converge around information quality and resilience. In that sense, AI slop may ultimately function less as a permanent state of affairs and more as a stress test to separate the wheat from the chaff. In the upcoming struggle between user experience and generative AI tools, the former will have the final say, which is an encouraging thought.

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Sony targets AI music copyright use

Sony Group has developed technology designed to identify the original sources of music generated by AI. The move comes amid growing concern over the unauthorised use of copyrighted works in AI training.

According to Sony Group, the system can extract data from an underlying AI model and compare generated tracks with original compositions. The process aims to quantify how much specific works contributed to the output.

Composers, songwriters and publishers could use the technology to seek compensation from AI developers if their material was used without permission. Sony said the goal is to help ensure creators are properly rewarded.

Efforts to safeguard intellectual property have intensified across the music industry. Sony Music Entertainment in the US previously filed a copyright infringement lawsuit in 2024 over AI-generated music, underscoring wider tensions around AI and creative rights.

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AI-generated film removed from cinemas after public backlash

A prize-winning AI-generated short film has been pulled from cinemas following criticism from audiences. Thanksgiving Day, created by filmmaker Igor Alferov, was due to screen in selected theatres before feature presentations.

Concerns emerged after news of the screening spread online, prompting complaints directed at AMC Theatres. The chain stated it had not programmed the film and that pre-show advertising partner Screenvision Media had arranged the placement.

AMC confirmed it would not participate in the initiative, meaning the AI film will no longer appear in its locations. The animated short, produced using Google’s Gemini 3.1 and Nano Banana Pro tools, had recently won an AI film festival award.

The episode comes amid broader debate about artificial intelligence in Hollywood. Industry insiders suggest studios are quietly increasing AI use in production, even as concerns grow over job losses and economic uncertainty within Los Angeles’ entertainment sector.

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OpenAI faces legal action in South Korea from top networks

South Korea’s leading terrestrial broadcasters have filed a lawsuit against OpenAI, claiming that the company trained its ChatGPT model using their news content without permission. KBS, MBC, and SBS are seeking an injunction to halt the alleged infringement and to recover damages.

The Korea Broadcasters Association said OpenAI generates significant revenue from its GPT services and has licensing agreements with media organisations worldwide.

Despite this, the company has refused to negotiate with the South Korean networks, leaving them without recourse to ensure proper use of their content.

The lawsuit emphasises the protection of intellectual property and creators’ rights, arguing that domestic copyright holders face high legal costs and barriers when confronting global technology companies. It also raises broader questions about South Korea’s data sovereignty in the age of AI.

Earlier action against Naver set a precedent for copyright enforcement in AI applications.

Although KBS subsequently partnered with Naver for AI-driven media solutions, the current case underscores continuing disputes over lawful access to broadcast content for generative AI training.

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Chinese AI video tool unsettles Hollywood

A new AI video model developed by ByteDance has unsettled Hollywood after generating cinema-quality clips from brief text prompts. Seedance 2.0, launched in 2025, went viral for producing realistic action scenes featuring western cinematic characters such as Spider Man and Deadpool.

In response, major studios, including Disney and Paramount, issued cease and desist letters over alleged copyright infringement. Japan has also begun investigating ByteDance after AI-generated anime videos spread widely online.

Industry experts say Seedance 2.0 stands out for combining text, visuals and audio within a single system. Analysts in Singapore and Melbourne argue that Chinese AI models are now matching US competitors at the technological frontier.

As Seedance 2.0 gains traction, Beijing continues to prioritise AI and robotics in its economic strategy. The rise of tools from China has intensified debate in the US and beyond over copyright, regulation and the future of creative work.

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Google’s Lyria 3 advances generative AI music with transparency and copyright safeguards

Google has introduced Lyria 3 inside its Gemini app, marking its expansion into AI-generated music. The model enables users to create 30-second tracks from text prompts, images, or short videos. It also supports Dream Track on YouTube Shorts, strengthening AI integration in creator tools.

The development reflects the growing convergence of multimodal AI systems. Gemini can already generate text, images, and video, and music is now added to this ecosystem. This positions Google within the broader race to embed generative AI across digital content infrastructures.

Lyria 3 lowers technical barriers to music production. Users can generate instrumentals and lyrics without prior composition skills, simply by describing a mood, genre, or memory. This aligns with wider efforts to democratise creative expression through AI tools.

The model also introduces technical improvements over earlier audio systems. It offers greater control over tempo, vocals, and style, while producing more realistic and musically complex outputs. However, tracks are currently limited to 30 seconds, suggesting a phased rollout approach.

Transparency measures are embedded through SynthID watermarking technology. All AI-generated tracks include an imperceptible identifier to signal synthetic origin. Such mechanisms respond to increasing policy discussions on labelling and traceability of AI-generated content.

Google also emphasises safeguards related to intellectual property. The system is designed for original expression rather than direct imitation of specific artists. Prompts referencing known artists are treated as stylistic inspiration, and outputs are filtered against existing works, with reporting mechanisms available for potential rights violations.

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Microsoft outlines challenges in verifying AI-generated media

In an era of deepfakes and AI-manipulated content, determining what is real online has become increasingly complex. Microsoft’s report Media Integrity and Authentication reviews current verification methods, their limits, and ways to boost trust in digital media.

The study emphasises that no single solution can prevent digital deception. Techniques such as provenance tracking, watermarking, and digital fingerprinting can provide useful context about a media file’s origin, creation tools, and whether it has been altered.

Microsoft has pioneered these technologies, cofounding the Coalition for Content Provenance and Authenticity (C2PA) to standardise media authentication globally.

The report also addresses the risks of sociotechnical attacks, where even subtle edits can manipulate authentication results to mislead the public.

Researchers explored how provenance information can remain durable and reliable across different environments, from high-security systems to offline devices, highlighting the challenge of maintaining consistent verification.

As AI-generated or edited content becomes commonplace, secure media provenance is increasingly important for news outlets, public figures, governments, and businesses.

Reliable provenance helps audiences spot manipulated content, with ongoing research guiding clearer, practical verification displays for the public.

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Lyria 3 brings AI-generated music to Gemini

The Gemini app has introduced Lyria 3, the latest music-generation model from Google DeepMind, enabling users to create 30-second tracks from text prompts, images, or videos. The feature is rolling out in beta, marking a further expansion of creative tools within the platform.

Users can customise genre, tempo, and vocals, while the system generates lyrics automatically when needed. Tracks include AI-generated cover art and can be shared directly, aiming to provide a simple way to produce short, personalised soundtracks rather than full compositions.

Audio created in the app is embedded with SynthID watermarking to identify AI-generated content, alongside new verification tools that allow users to check whether files were produced using Google AI.

The model is designed to produce original material rather than replicate specific artists, supported by filters and reporting mechanisms.

Availability initially covers multiple major languages for users aged 18 and over, with higher usage limits offered to premium subscribers. Lyria 3 is also being integrated into YouTube creator tools to enhance Shorts soundtracks as the rollout expands.

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Hollywood groups challenge ByteDance over Seedance 2.0 copyright concerns

ByteDance is facing scrutiny from Hollywood organisations over its AI video generator Seedance 2.0. Industry groups allege the system uses actors’ likenesses and copyrighted material without permission.

The Motion Picture Association said the tool reflects large-scale unauthorised use of protected works. Chairman Charles Rivkin called on ByteDance to halt what he described as infringing activities that undermine creators’ rights and jobs.

SAG-AFTRA also criticised the platform, citing concerns over the use of members’ voices and images. Screenwriter Rhett Reese warned that rapid AI development could reshape opportunities for creative professionals.

ByteDance acknowledged the concerns and said it would strengthen safeguards to prevent misuse of intellectual property. The company reiterated its commitment to respecting copyright while addressing complaints.

The dispute underscores wider tensions between technological innovation and rights protection as generative AI tools expand. Legal experts say the outcome could influence how AI video systems operate within existing copyright frameworks.

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LegalOn launches agentic AI for in-house legal teams

LegalOn Technologies has introduced five agentic AI tools aimed at transforming in-house legal operations. The company says the agents complete specialised contract and workflow tasks in seconds within its secure platform.

Unlike conventional AI assistants that respond to prompts, the new system is designed to plan and execute multi-step workflows independently, tailoring outputs to each organisation’s templates and standards while keeping lawyers informed of every action.

The suite includes tools for generating playbooks, processing legal intake requests and translating contracts across dozens of languages. Additional agents triage high-volume agreements and produce review-ready drafts from clause libraries and deal inputs.

Founded by two corporate lawyers in Japan, LegalOn now operates across Asia, Europe and North America. Backed by $200m in funding, it serves more than 8,000 clients globally, including Fortune 500 companies.

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