Freedom of expression

Anthropic introduces memory feature to Claude AI for workplace productivity

The AI startup Anthropic has added a memory feature to its Claude AI, designed to automatically recall details from earlier conversations, such as project information and team preferences.

Initially, the upgrade is only available to Team and Enterprise subscribers, who can manage, edit, or delete the content that the system retains.

Anthropic presents the tool as a way to improve workplace efficiency instead of forcing users to repeat instructions. Enterprise administrators have additional controls, including entirely turning memory off.

Privacy safeguards are included, such as an ‘incognito mode’ for conversations that are not stored.

Analysts view the step as an effort to catch up with competitors like ChatGPT and Gemini, which already offer similar functions. Memory also links with Claude’s newer tools for creating spreadsheets, presentations, and PDFs, allowing past information to be reused in future documents.

Anthropic plans a wider release after testing the feature with businesses. Experts suggest the approach could strengthen the company’s position in the AI market by offering both continuity and security, which appeal to enterprises handling sensitive data.

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YouTube expands AI dubbing to millions of creators

Real-time translation is becoming a standard feature across consumer tech, with Samsung, Google, and Apple all introducing new tools. Apple’s recently announced Live Translation on AirPods demonstrates the utility of such features, particularly for travellers.

YouTube has joined the trend, expanding its multi-language audio feature to millions of creators worldwide. The tool enables creators to add dubbed audio tracks in multiple languages, powered by Google’s Gemini AI, replicating tone and emotion.

The feature was first tested with creators like MrBeast, Mark Rober, and Jamie Oliver. YouTube reports that Jamie Oliver’s channel saw its views triple, while over 25% of the watch time came from non-primary languages.

Mark Rober’s channel now supports more than 30 languages per video, helping creators reach audiences far beyond their native markets. YouTube states that this expansion should make content more accessible to global viewers and increase overall engagement.

Subtitles will still be vital for people with hearing difficulties, but AI-powered dubbing could reduce reliance on them for language translation. For creators, it marks a significant step towards making content truly global.

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FTC opens inquiry into AI chatbots and child safety

The US Federal Trade Commission has launched an inquiry into AI chatbots that act as digital companions, raising concerns about their impact on children and teenagers.

Seven firms, including Alphabet, Meta, OpenAI and Snap, have been asked to provide information about how they address risks linked to ΑΙ chatbots designed to mimic human relationships.

Chairman Andrew Ferguson said protecting children online was a top priority, stressing the need to balance safety with maintaining US leadership in AI. Regulators fear minors may be particularly vulnerable to forming emotional bonds with AI chatbots that simulate friendship and empathy.

An inquiry that will investigate how companies develop AI chatbot personalities, monetise user interactions and enforce age restrictions. It will also assess how personal information from conversations is handled and whether privacy laws are being respected.

Other companies receiving orders include Character.AI and Elon Musk’s xAI.

The probe follows growing public concern over the psychological effects of generative AI on young people.

Last month, the parents of a 16-year-old who died by suicide sued OpenAI, alleging ChatGPT provided harmful instructions. The company later pledged corrective measures, admitting its chatbot does not always recommend mental health support during prolonged conversations.

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AI-generated film sparks copyright battle as it heads to Cannes

OpenAI has taken a significant step into entertainment by backing Critterz, the first animated feature film generated with GPT models.

Human artists sketch characters and scenes, while AI transforms them into moving images. The $30 million project, expected to finish in nine months, is far cheaper and faster than traditional animation and could debut at the Cannes Film Festival in 2026.

Yet the film has triggered a fierce copyright debate in India and beyond. Under India’s Copyright Act of 1957, only human works are protected.

Legal experts argue that while AI can be used as a tool when human skill and judgement are clearly applied, autonomously generated outputs may not qualify for copyright at all.

The uncertainty carries significant risks. Producers may struggle to combat piracy or unauthorised remakes, while streaming platforms and investors could hesitate to support projects without clear ownership rights.

A recent case involving an AI tool credited as a co-author of a painting, later revoked, shows how untested the law remains.

Global approaches vary. The US and the EU require human creativity for copyright, while the UK recognises computer-generated works under certain conditions.

In India, lawyers suggest contracts provide the safest path until the law evolves, with detailed agreements on ownership, revenue sharing and disclosure of AI input.

The government has already set up an expert panel to review the Copyright Act, even as AI-driven projects and trailers rapidly gain popularity.

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AI chatbot mixes up Dutch political party policies

Dutch voters have been warned not to rely on AI chatbots for political advice after Google’s NotebookLM mixed up VVD and PVV policies.

When asked about Ukrainian refugees, the tool attributed a PVV proposal to send men back to Ukraine to the VVD programme. Similar confusions reportedly occurred when others used the system.

Google acknowledged the mistake and said it would investigate whether the error was a hallucination, the term for incorrect AI-generated output.

Experts caution that language models predict patterns rather than facts, making errors unavoidable. Voting guide StemWijzer stressed that reliable political advice requires up-to-date and verified information.

Professor Claes de Vreese said chatbots might be helpful to supplementary tools but should never replace reading actual party programmes. He also urged stricter regulation to avoid undue influence on election choices.

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Canadian news publishers clash with OpenAI in landmark copyright case

OpenAI is set to argue in an Ontario court that a copyright lawsuit by Canadian news publishers should be heard in the United States. The case, the first of its kind in Canada, alleges that OpenAI scraped Canadian news content to train ChatGPT without permission or payment.

The coalition of publishers, including CBC/Radio-Canada, The Globe and Mail, and Postmedia, says the material was created and hosted in Ontario, making the province the proper venue. They warn that accepting OpenAI’s stance would undermine Canadian sovereignty in the digital economy.

OpenAI, however, says the training of its models and web crawling occurred outside Canada and that the Copyright Act cannot apply extraterritorially. It argues the publishers are politicising the case by framing it as a matter of sovereignty rather than jurisdiction.

The dispute reflects a broader global clash over how generative AI systems use copyrighted works. US courts are already handling several similar cases, though no clear precedent has been established on whether such use qualifies as fair use.

Publishers argue Canadian courts must decide the matter domestically, while OpenAI insists it belongs in US courts. The outcome could shape how copyright laws apply to AI training and digital content across borders.

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Nepal lifts social media ban after protests

The Nepali government has lifted its ban on major social media platforms following days of nationwide protests led largely by youth demanding action against corruption.

The ban, which blocked access to 26 social media sites including WhatsApp, Facebook, Instagram, LinkedIn, and YouTube, was introduced in an effort to curb misinformation, online fraud, and hate speech, according to government officials.

However, critics accused the administration of using the restrictions to stifle dissent and silence public outrage.

Thousands of demonstrators took to the streets in Kathmandu and other major cities in Nepal, voicing frustration over rising unemployment, inflation, and what they described as a lack of accountability among political leaders.

The protests quickly gained momentum, with digital freedom becoming a central theme alongside anti-corruption demands.

The United Nations Office for the High Commissioner of Human Rights addressed the situation, stating: “We have received several deeply worrying allegations of unnecessary or disproportionate use of force by security forces during protests organized by youth groups demonstrating against corruption and the recent Government ban on social media platforms.”

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New project expands AI access for African languages

Africa is working to close the AI language gap, as most global tools remain trained on English, Chinese, and European languages.

The African Next Voices project has created the continent’s largest dataset of spoken African languages, covering 18 tongues across Kenya, Nigeria, and South Africa. Supported by a $2.2m Gates Foundation grant, the dataset includes 9,000 hours of speech in farming, health, and education settings.

Languages such as Hausa, Yoruba, isiZulu, and Kikuyu are now available for developers to build translation, transcription, and conversational AI tools. Farmers like South Africa’s Kelebogile Mosime already use local-language apps to solve agricultural challenges.

Start-ups, including Lelapa AI, are building products in African languages for banks and telecoms. Researchers warn that without such initiatives, millions risk exclusion from vital services and cultural knowledge could be lost.

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Social media authenticity questioned as Altman points to bot-like behaviour

Sam Altman, X enthusiast and Reddit shareholder, has expressed doubts over whether social media content can still be distinguished from bot activity. His remarks followed an influx of praise for OpenAI Codex on Reddit, where users questioned whether such posts were genuine.

Altman noted that humans are increasingly adopting quirks of AI-generated language, blurring the line between authentic and synthetic speech. He also pointed to factors such as social media optimisation for engagement and astroturfing campaigns, which amplify suspicions of fakery.

The comments follow OpenAI’s backlash over the rollout of GPT-5, which saw Reddit communities shift from celebratory to critical. Altman acknowledged flaws in a Reddit AMA, but the fallout left lasting scepticism and lower enthusiasm among AI users.

Underlying this debate is the wider reality that bots dominate much of the online environment. Imperva estimates that more than half of 2024’s internet traffic was non-human, while X’s own Grok chatbot admitted to hundreds of millions of bots on the platform.

Some observers suggest Altman’s comments may foreshadow an OpenAI-backed social media venture. Whether such a project could avoid the same bot-related challenges remains uncertain, with research suggesting that even bot-only networks eventually create echo chambers of their own.

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Orson Welles lost film reconstructed with AI

More than 80 years after Orson Welles’ The Magnificent Ambersons was cut and lost, AI is being used to restore 43 missing minutes of the film.

Amazon-backed Showrunner, led by Edward Saatchi, is experimenting with AI technology to rebuild the destroyed sequences as part of a broader push to reimagine how Hollywood might use AI in storytelling.

The project is not intended for commercial release, since Showrunner has not secured rights from Warner Bros. or Concord, but instead aims to explore what could have been the director’s original vision.

The initiative marks a shift in the role of AI in filmmaking. Rather than serving only as a tool for effects, dubbing or storyboarding, it is being positioned as a foundation for long-form narrative creation.

Showrunner is developing AI models capable of sustaining complex plots, with the goal of eventually generating entire films. Saatchi envisions the platform as a type of ‘Netflix of AI,’ where audiences might one day interact with intellectual property and generate their own stories.

To reconstruct The Magnificent Ambersons, the company is combining traditional techniques with AI tools. New sequences will be shot with actors, while AI will be used for face and pose transfer to replicate the original cast.

Thousands of archival set photographs are being used to digitally recreate the film’s environments.

Filmmaker Brian Rose, who has rebuilt 30,000 missing frames over five years, has reconstructed set movements and timing to match the lost scenes, while VFX expert Tom Clive will assist in refining the likenesses of the original actors.

A project that underlines both the creative possibilities and ethical tensions surrounding AI in cinema. While the reconstructed footage will not be commercially exploited, it raises questions about the use of copyrighted material in training AI and the risk of replacing human creators.

For many, however, the experiment offers a glimpse of what Welles’ ambitious work might have looked like had it survived intact.

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