The New York Times Company and Amazon have signed a multi-year licensing agreement that will allow Amazon to integrate editorial content from The New York Times, NYT Cooking, and The Athletic into a range of its AI-powered services, the companies announced Wednesday.
Under the deal, Amazon will use licensed content for real-time display in consumer-facing products such as Alexa, as well as for training its proprietary foundation models. The agreement marks an expansion of the firms’ existing partnership.
‘The agreement expands the companies’ existing relationship, and will deliver additional value to Amazon customers while bringing Times journalism to broader audiences,’ the companies said in a joint statement.
According to the announcement, the licensing terms include ‘real-time display of summaries and short excerpts of Times content within Amazon products and services’ alongside permission to use the content in AI model development. Amazon platforms will also feature direct links to full Times articles.
Both companies described the partnership as a reflection of a shared commitment to delivering global news and information across Amazon’s AI ecosystem. Financial details of the agreement were not made public.
The announcement comes amid growing industry debate about the role of journalistic material in training AI systems.
By entering a formal licensing arrangement, The New York Times positions itself as one of the first major media outlets to publicly align with a technology company for AI-related content use.
The companies have yet to name additional Amazon products that will feature Times content, and no timeline has been disclosed for the rollout of the new integrations.
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Politiscope recently held an event at the Croatian Journalists’ Association to highlight the human rights risks of AI.
As Croatia begins drafting a national law to implement the EU AI Act, the event aimed to push for stronger protections and transparency instead of relying on vague promises of innovation.
Croatia’s working group is still forming key elements of the law, such as who will enforce it, making it an important moment for public input.
Experts warned that AI systems could increase surveillance, discrimination, and exclusion. Speakers presented troubling examples, including inaccurate biometric tools and algorithms that deny benefits or profile individuals unfairly.
Campaigners from across Europe, including EDRi, showcased how civil society has already stopped invasive AI tools in places like the Netherlands and Serbia. They argued that ‘values’ embedded in corporate AI systems often lack accountability and harm marginalised groups instead of protecting them.
Rather than presenting AI as a distant threat or a miracle cure, the event focused on current harms and the urgent need for safeguards. Speakers called for a public register of AI use in state institutions, a ban on biometric surveillance in public, and full civil society participation in shaping AI rules.
A panel urged Croatia to go beyond the EU Act’s baseline by embracing more transparent and citizen-led approaches.
Despite having submitted recommendations, Politiscope and other civil society organisations remain excluded from the working group drafting the law. While business groups and unions often gain access through social dialogue rules, CSOs are still sidelined.
Politiscope continues to demand an open and inclusive legislative process, arguing that democratic oversight is essential for AI to serve people instead of controlling them.
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Far more online content is removed under US tech firms’ terms and conditions than under the EU’s Digital Services Act (DSA), according to Tech Commissioner Henna Virkkunen.
Her comments respond to criticism from American tech leaders, including Elon Musk, who have labelled the DSA a threat to free speech.
In an interview with Euractiv, Virkkunen said recent data show that 99% of content removals in the EU between September 2023 and April 2024 were carried out by platforms like Meta and X based on their own rules, not due to EU regulation.
Only 1% of cases involved ‘trusted flaggers’ — vetted organisations that report illegal content to national authorities. Just 0.001% of those reports led to an actual takedown decision by authorities, she added.
The DSA’s transparency rules made those figures available. ‘Often in the US, platforms have more strict rules with content,’ Virkkunen noted.
She gave examples such as discussions about euthanasia and nude artworks, which are often removed under US platform policies but remain online under European guidelines.
Virkkunen recently met with US tech CEOs and lawmakers, including Republican Congressman Jim Jordan, a prominent critic of the DSA and the DMA.
She said the data helped clarify how EU rules actually work. ‘It is important always to underline that the DSA only applies in the European territory,’ she said.
While pushing back against American criticism, Virkkunen avoided direct attacks on individuals like Elon Musk or Mark Zuckerberg. She suggested platform resistance reflects business models and service design choices.
Asked about delays in final decisions under the DSA — including open cases against Meta and X — Virkkunen stressed the need for a strong legal basis before enforcement.
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Google is marking the 10th anniversary of Google Photos by introducing a revamped, AI-powered photo editor aimed at making image enhancement simpler and faster.
The updated tool combines multiple effects with a single suggestion and offers editing tips when users tap on specific parts of a photo.
Instead of relying solely on manual controls, the interface now blends smart features like Reimagine and Auto frame with familiar options such as brightness and contrast. The new editor is being rolled out to Android users first, with iOS users set to receive it later in the year.
In addition, Google Photos now supports album sharing via QR codes. Instead of sharing links, users can generate a code that others nearby can scan or receive digitally, allowing them to view or add photos to shared albums.
With over 1.5 billion monthly users and more than nine trillion photos stored, Google Photos remains one of the world’s most widely used photo services.
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A hacker has allegedly leaked data from 31 million AT&T customers, raising fresh concerns over the security of one of America’s largest telecom providers. The data, posted on a major dark web forum in late May 2025, is said to contain 3.1GB of customer information in both JSON and CSV formats.
Instead of isolated details, the breach reportedly includes highly sensitive data: full names, dates of birth, tax IDs, physical and email addresses, device and cookie identifiers, phone numbers, and IP addresses.
Cybersecurity firm DarkEye flagged the leak, warning that the structured formats make the data easy for criminals to exploit.
If verified, the breach would mark yet another major incident for AT&T. In March 2024, the company confirmed that personal information from 73 million users had been leaked.
Just months later, a July breach exposed call records and location metadata for nearly 110 million customers, with blame directed at compromised Snowflake cloud accounts.
AT&T has yet to comment on the latest claims. Experts warn that the combination of tax numbers and device data could enable identity theft, financial scams, and advanced phishing attacks.
For a company already under scrutiny for past security lapses, the latest breach could further damage public trust.
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Victoria’s Secret’s website has remained offline for three days due to a security incident the company has yet to fully explain. A spokesperson confirmed steps are being taken to address the issue, saying external experts have been called in and some in-store systems were also taken down as a precaution.
Instead of revealing specific details, the retailer has left users with only a holding message on a pink background. It has declined to comment on whether ransomware is involved, when the disruption began, or if law enforcement has been contacted.
The firm’s physical stores continue operating as normal, and payment systems are unaffected, suggesting the breach has hit other digital infrastructure. Still, the shutdown has rattled investors—shares fell nearly seven percent on Wednesday.
With online sales accounting for a third of Victoria’s Secret’s $6 billion annual revenue, the pressure to resolve the situation is high.
The timing has raised eyebrows, as cybercriminals often strike during public holidays like Memorial Day, when IT teams are short-staffed. The attack follows a worrying trend among retailers.
UK giants such as Harrods, Marks & Spencer, and the Co-op have all suffered recent breaches. Experts warn that US chains are becoming the next major targets, with threat groups like Scattered Spider shifting their focus across the Atlantic.
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Google Drive is gaining a new AI-powered tool that allows Workspace users to summarise and interact with video content using Gemini, Google’s generative AI assistant.
Instead of manually skipping through videos, users can now click the ‘Ask Gemini’ button to get instant summaries, key highlights, or action items from uploaded recordings.
The tool builds on Gemini 2.5 Pro’s strong video analysis capabilities, which recently scored 84.8% on the VideoMME benchmark. Gemini’s side panel, already used for summarising documents and folders, can now handle natural language prompts like ‘Summarise this video’ or ‘List key points from this meeting’.
However, the feature only works in English and requires captions to be enabled by the Workspace admin.
Google is rolling out the feature across various Workspace plans, including Business Standard and Enterprise tiers, with access available through Drive’s overlay preview or a new browser tab.
Instead of switching between windows or scrubbing through videos, users can now save time by letting Gemini handle the heavy lifting.
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Opera has unveiled a new AI-powered web browser called Neon, describing it as an ‘agentic browser’ designed to carry out internet tasks on the user’s behalf.
Unlike traditional browsers, Neon offers contextual awareness and cloud-based AI agents that can research, design, and build content automatically.
Although Opera introduced a browser called Neon in 2017 that failed to gain traction, the company is giving the name a second chance, now with a more ambitious AI focus. According to Opera’s Henrik Lexow, the rise of AI marks a fundamental shift in how users interact with the web.
Among its early features, Neon includes an AI engine capable of interpreting user requests and generating games, code, reports, and websites—even when users are offline.
It also includes tools like a chatbot for web searches, contextual page insights, and automation for online tasks such as form-filling and booking services.
The browser is being positioned as a premium subscription product, though Opera has yet to reveal pricing or launch dates. Neon will become the fifth browser in Opera’s line-up, following the mindfulness-focused Air browser announced in February.
Interested users can join the waitlist, but for now, full capabilities remain unverified.
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It feels like just yesterday that the internet was buzzing over the first renditions of OpenAI’s DALL·E tool, with millions competing to craft the funniest, weirdest prompts and sharing the results across social media. The sentiment was clear: the public was fascinated by the creative potential of this new technology.
But beneath the laughter and viral memes was a quieter, more uneasy question: what happens when AI not only generates quirky artwork, but begins to reshape our daily lives, both online and off? As it turns out, that process was already underway behind the scenes, and we were none the wiser.
AI in action: How the entertainment industry is using it today
Three years later, we have reached a point where AI’s influence seems to have passed the point of no return. The entertainment industry was among the first to embrace this technology, and starting with the 2025 Academy Awards, films that incorporate AI are now eligible for Oscar nominations.
That decision has been met with mixed reactions, to put it lightly. While some have praised the industry’s eagerness to explore new technological frontiers, others have claimed that AI greatly diminishes the human contribution to the art of filmmaking and therefore takes away the essence of the seventh art form.
The first wave of AI-enhanced storytelling
One recent example is the film The Brutalist, in which AI was used to refine Adrien Brody’s Hungarian dialogue to sound more authentic. Such a move that sparked both technical admiration and creative scepticism.
With AI now embedded in everything from voiceovers to entire digital actors, we are only beginning to confront what it truly means when creativity is no longer exclusively human.
Adrien Brody’s Hungarian dialogue in ‘The Brutalist’ was subject to generative AI to make it sound more authentic.
Screenshot / YouTube/ Oscars
Setting the stage: AI in the spotlight
The first major big-screen resurrection occurred in 1994’s The Crow, where Brandon Lee’s sudden passing mid-production forced the studio to rely on body doubles, digital effects, and existing footage to complete his scenes. However, it was not until 2016 that audiences witnessed the first fully digital revival.
In Rogue One: A Star Wars Story, Peter Cushing’s character was brought back to life using a combination of CGI, motion capture, and a facial stand-in. Although primarily reliant on traditional VFX, the project paved the way for future use of deepfakes and AI-assisted performance recreation across movies, TV shows, and video games.
Afterward, some speculated that studios tied to Peter Cushing’s legacy, such as Tyburn Film Productions, could pursue legal action against Disney for reviving his likeness without direct approval. While no lawsuit was filed, questions were raised about who owns a performer’s digital identity after death.
The digital Jedi: How AI helped recreate Luke Skywalker
Fate would have it that AI’s grand debut would take place in a galaxy far, far away, with the surprise appearance of Luke Skywalker in the Season 2 finale of The Mandalorian (spoiler alert). The moment thrilled fans and marked a turning point for the franchise, but it was more than just fan service.
Here’s the twist: Mark Hamill did not record any new voice lines. Instead, actor Max Lloyd-Jones performed the physical role, while Hamill’s de-aged voice was recreated with the help of Respeecher, a Ukrainian company specialising in AI-driven speech synthesis.
Impressed by their work, Disney turned to Respeecher once again, this time to recreate James Earl Jones’s iconic Darth Vader voice for the Obi-Wan Kenobi miniseries. Using archival recordings that Jones signed over for AI use, the system synthesised new dialogue that perfectly matched the intonation and timbre of his original trilogy performances.
Screenshot / YouTube / Star Wars
AI in moviemaking: Preserving legacy or crossing a line?
The use of AI to preserve and extend the voices of legendary actors has been met with a mix of admiration and unease. While many have praised the seamless execution and respect shown toward the legacy of both Hamill and Jones, others have raised concerns about consent, creative authenticity, and the long-term implications of allowing AI to perform in place of humans.
In both cases, the actors were directly involved or gave explicit approval, but these high-profile examples may be setting a precedent for a future where that level of control is not guaranteed.
A notable case that drew backlash was the planned use of a fully CGI-generated James Dean in the unreleased film Finding Jack, decades after his death. Critics and fellow actors have voiced strong opposition, arguing that bringing back a performer without their consent reduces them to a brand or asset, rather than honouring them as an artist.
AI in Hollywood: Actors made redundant?
What further heightened concerns among working actors was the launch of Promise, a new Hollywood studio built entirely around generative AI. Backed by wealthy investors, Promise is betting big on Muse, a GenAI tool designed to produce high-quality films and TV series at a fraction of the cost and time required for traditional Hollywood productions.
Filmmaking is a business, after all, and with production budgets ballooning year after year, AI-powered entertainment sounds like a dream come true for profit-driven studios.
Meta’s recent collaboration with Blumhouse Productions on MovieGen only adds fuel to the fire, signalling that major players are eager to explore a future where storytelling may be driven as much by algorithms as by authentic artistry.
AI in gaming: Automation or artistic collapse?
Speaking of entertainment businesses, we cannot ignore the world’s most popular entertainment medium: gaming. While the pandemic triggered a massive boom in game development and player engagement, the momentum was short-lived.
As profits began to slump in the years that followed, the industry was hit by a wave of layoffs, prompting widespread internal restructuring and forcing publishers to rethink their business models entirely. In hopes of cost-cutting, AAA companies had their eye on AI as their one saving grace.
Nvidia developing AI chips, along with Ubisoft and EA investing in AI and machine learning, have sent clear signals to the industry: automation is no longer just a backend tool, it is a front-facing strategy.
With AI-assisted NPC behaviour and AI voice acting, game development is shifting toward faster, cheaper, and potentially less human-driven production. In response, game developers have become concerned about their future in the industry, and actors are less inclined to sign off their rights for future projects.
AI voice acting in video games
In an attempt to compete with wealthier studios, even indie developers have turned to GenAI to replicate the voices of celebrity voice actors. Tools like ElevenLabs and Altered Studio offer a seemingly straightforward way to get high-quality talent, but if only it were that simple.
Copyright laws and concerns over authenticity remain two of the strongest barriers to the widespread adoption of AI-generated voices. especially as many consumers still view the technology as a crutch rather than a creative tool for game developers.
The legal landscape around AI-generated voices remains murky. In many places, the rights to a person’s voice, or its synthetic clone, are poorly defined, creating loopholes developers can exploit.
AI voice cloning challenges legal boundaries in gaming
The legal ambiguity has fuelled a backlash from voice actors, who argue that their performances are being mimicked without consent or pay. SAG-AFTRA and others began pushing for tighter legal protections in 2023.
A notable flashpoint came in 2025, when Epic Games faced criticism for using an AI-generated Darth Vader voice in Fortnite. SAG-AFTRA filed a formal complaint, citing licensing concerns and a lack of actor involvement.
Not all uses have been controversial. CD Projekt Red recreated the voice of the late Miłogost Reczek in Cyberpunk 2077: Phantom Liberty, with his family’s blessing, thus setting a respectful precedent for the ethical use of AI.
How AI is changing music production and artist Identity
AI is rapidly reshaping music production, with a recent survey showing that nearly 25% of producers are already integrating AI tools into their creative workflows. This shift reflects a growing trend in how technology is influencing composition, mixing, and even vocal performance.
Artists like Imogen Heap are embracing the change with projects like Mogen, an AI version of herself that can create music and interact with fans, blurring the line between human creativity and digital innovation.
Major labels are also experimenting: Universal Music has recently used AI to reimagine Brenda Lee’s 1958 classic in Spanish, preserving the spirit of the original while expanding its cultural reach.
AI and the future of entertainment
As AI becomes more embedded in entertainment, the line between innovation and exploitation grows thinner. What once felt like science fiction is now reshaping the way stories are told, and who gets to tell them.
Whether AI becomes a tool for creative expansion or a threat to human artistry will depend on how the industry and audiences choose to engage with it in the years ahead. As in any business, consumers vote with their wallets, and only time will tell whether AI and authenticity can truly go hand-in-hand.
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Taiwan has rejected accusations from Beijing that its ruling party orchestrated cyberattacks against Chinese infrastructure. Authorities in Taipei instead accused China of spreading false claims in an effort to manipulate public perception and escalate tensions.
On Tuesday, Chinese officials alleged that a Taiwan-backed hacker group linked to the Democratic Progressive Party (DPP) had targeted a technology firm in Guangzhou.
They claimed more than 1,000 networks, including systems tied to the military, energy, and government sectors, had been compromised across ten provinces in recent years.
Taiwan’s National Security Bureau responded on Wednesday, stating that the Chinese Communist Party is manipulating false information to mislead the international community.
Rather than acknowledging its own cyber activities, Beijing is attempting to shift blame while undermining Taiwan’s credibility, the agency said.
Taipei further accused China of long-running cyberattacks aimed at stealing funds and destabilising critical infrastructure. Officials described such campaigns as part of cognitive warfare designed to widen social divides and erode public trust within Taiwan.
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