Survey reveals split views on AI in academic peer review

Growing use of generative AI within peer review is creating a sharp divide among physicists, according to a new survey by the Institute of Physics Publishing.

Researchers appear more informed and more willing to express firm views, with a notable rise in those who see a positive effect and a large group voicing strong reservations. Many believe AI tools accelerate early reading and help reviewers concentrate on novelty instead of routine work.

Others fear that reviewers might replace careful evaluation with automated text generation, undermining the value of expert judgement.

A sizeable proportion of researchers would be unhappy if AI-shaped assessments of their own papers, even though many quietly rely on such tools when reviewing for journals. Publishers are now revisiting their policies, yet they aim to respect authors who expect human-led scrutiny.

Editors also report that AI-generated reports often lack depth and fail to reflect domain expertise. Concerns extend to confidentiality, with organisations such as the American Physical Society warning that uploading manuscripts to chatbots can breach author trust.

Legal disputes about training data add further uncertainty, pushing publishers to approach policy changes with caution.

Despite disagreements, many researchers accept that AI will remain part of peer review as workloads increase and scientific output grows. The debate now centres on how to integrate new tools in a way that supports researchers instead of weakening the foundations of scholarly communication.

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Creatives warn that AI is reshaping their jobs

AI is accelerating across creative fields, raising concerns among workers who say the technology is reshaping livelihoods faster than anyone expected.

A University of Cambridge study recently found that more than two-thirds of creative professionals fear AI has undermined their job security, and many now describe the shift as unavoidable.

One of them is Norwich-based artist Aisha Belarbi, who says the rise of image-generation tools has made commissions harder to secure as clients ‘can just generate whatever they want’. Although she works in both traditional and digital media, Belarbi says she increasingly struggles to distinguish original art from AI output. That uncertainty, she argues, threatens the value of lived experience and the labour behind creative work.

Others are embracing the change. Videographer JP Allard transformed his Milton Keynes production agency after discovering the speed and scale of AI-generated video. His company now produces multilingual ‘digital twins’ and fully AI-generated commercials, work he says is quicker and cheaper than traditional filming. Yet he acknowledges that the pace of change can leave staff behind and says retraining has not kept up with the technology.

For musician Ross Stewart, the concern centres on authenticity. After listening to what he later discovered was an AI-generated blues album, he questioned the impact of near-instant song creation on musicians’ livelihoods and exposure. He believes audiences will continue to seek human performance, but worries that the market for licensed music is already shifting towards AI alternatives.

Copywriter Niki Tibble has experienced similar pressures. Returning from maternity leave, she found that AI tools had taken over many entry-level writing tasks. While some clients still prefer human writers for strategy, nuance and brand voice, Tibble’s work has increasingly shifted toward reviewing and correcting AI-generated copy. She says the uncertainty leaves her unsure whether her role will exist in a decade.

Across these stories, creative workers describe a sector in rapid transition. While some see new opportunities, many fear the speed of adoption and a future where AI replaces the very work that has long defined their craft.

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New interview study tracks how workers adapt to AI

Anthropic has unveiled Anthropic Interviewer, an AI-driven tool for large-scale workplace interviews. The system used Claude to conduct 1,250 structured interviews with professionals across the general workforce, creative fields and scientific research.

In surveys, 86 percent said AI saves time and 65 percent felt satisfied with its role at work. Workers often hoped to automate routine tasks while preserving responsibilities that define their professional identity.

Creative workers reported major time savings and quality gains yet faced stigma and economic anxiety around AI use. Many hid AI tools from colleagues, feared market saturation and still insisted on retaining creative control.

Across groups, professionals imagined careers where humans oversee AI systems rather than perform every task themselves. Anthropic plans to keep using Anthropic Interviewer to track attitudes and inform future model design.

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Japan weighs easing rules on personal data use

Japan is preparing to relax restrictions on personal data use to support rapid AI development. Government sources say a draft bill aims to expand third-party access to sensitive information.

Plans include allowing medical histories and criminal records to be obtained without consent for statistical purposes. Japanese officials argue such access could accelerate research while strengthening domestic competitiveness.

New administrative fines would target companies that profit from unlawfully acquired data affecting large groups. Penalties would match any gains made through misconduct, reflecting growing concern over privacy abuses.

A government panel has reviewed the law since 2023 and intends to present reforms soon. Debate is expected to intensify as critics warn of increased risks to individual rights if support for AI development in this regard continues.

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Tilly Norwood creator accelerates AI-first entertainment push

The AI talent studio behind synthetic actress Tilly Norwood is preparing to expand what it calls the ‘Tilly-verse’, moving into a new phase of AI-first entertainment built around multiple digital characters.

Xicoia, founded by Particle6 and Tilly creator Eline van der Velden, is recruiting for 9 roles spanning writing, production, growth, and AI development, including a junior comedy writer, a social media manager, and a senior ‘AI wizard-in-chief’.

The UK-based studio says the hires will support Tilly’s planned 2026 expansion into on-screen appearances and direct fan interaction, alongside the introduction of new AI characters designed to coexist within the same fictional universe.

Van der Velden argues the project creates jobs rather than replacing them, positioning the studio as a response to anxieties around AI in entertainment and rejecting claims that Tilly is meant to displace human performers.

Industry concerns persist, however, with actors’ representatives disputing whether synthetic creations can be considered performers at all and warning that protecting human artists’ names, images, and likenesses remains critical as AI adoption accelerates.

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Noyb study points to demand for tracking-free option

A new study commissioned by noyb reports that most users favour a tracking-free advertising option when navigating Pay or Okay systems. Researchers found low genuine support for data collection when participants were asked without pressure.

Consent rates rose sharply when users were presented only with payment or agreement to tracking, leading most to select consent. Findings indicate that the absence of a realistic alternative shapes outcomes more than actual preference.

Introduction of a third option featuring advertising without tracking prompted a strong shift, with most participants choosing that route. Evidence suggests users accept ad-funded models provided their behavioural data remains untouched.

Researchers observed similar patterns on social networks, news sites and other platforms, undermining claims that certain sectors require special treatment. Debate continues as regulators assess whether Pay or Okay complies with EU data protection rules such as the GDPR.

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UK lawmakers push for binding rules on advanced AI

Growing political pressure is building in Westminster as more than 100 parliamentarians call for binding regulation on the most advanced AI systems, arguing that current safeguards lag far behind industry progress.

A cross-party group, supported by former defence and AI ministers, warns that unregulated superintelligent models could threaten national and global security.

The campaign, coordinated by Control AI and backed by tech figures including Skype co-founder Jaan Tallinn, urges Prime Minister Keir Starmer to distance the UK from the US stance against strict federal AI rules.

Experts such as Yoshua Bengio and senior peers argue that governments remain far behind AI developers, leaving companies to set the pace with minimal oversight.

Calls for action come after warnings from frontier AI scientists that the world must decide by 2030 whether to allow highly advanced systems to self-train.

Campaigners want the UK to champion global agreements limiting superintelligence development, establish mandatory testing standards and introduce an independent watchdog to scrutinise AI use in the public sector.

Government officials maintain that AI is already regulated through existing frameworks, though critics say the approach lacks urgency.

Pressure is growing for new, binding rules on the most powerful models, with advocates arguing that rapid advances mean strong safeguards may be needed within the next two years.

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EU gains stronger ad oversight after TikTok agreement

Regulators in the EU have accepted binding commitments from TikTok aimed at improving advertising transparency under the Digital Services Act.

An agreement that follows months of scrutiny and addresses concerns raised in the Commission’s preliminary findings earlier in the year.

TikTok will now provide complete versions of advertisements exactly as they appear in user feeds, along with associated URLs, targeting criteria and aggregated demographic data.

Researchers will gain clearer insight into how advertisers reach users, rather than relying on partial or delayed information. The platform has also agreed to refresh its advertising repository within 24 hours.

Further improvements include new search functions and filters that make it easier for the public, civil society and regulators to examine advertising content.

These changes are intended to support efforts to detect scams, identify harmful products and analyse coordinated influence operations, especially around elections.

TikTok must implement its commitments to the EU within deadlines ranging from two to twelve months, depending on each measure.

The Commission will closely monitor compliance while continuing broader investigations into algorithmic design, protection of minors, data access and risks connected to elections and civic discourse.

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Australia introduces new codes to protect children online

Australian regulators have released new guidance ahead of the introduction of industry codes designed to protect children from exposure to harmful online material.

The Age Restricted Material Codes will apply to a wide range of online services, including app stores, social platforms, equipment providers, pornography sites and generative AI services, with the first tranche beginning on 27 December.

The rules require search engines to blur image results involving pornography or extreme violence to reduce accidental exposure among young users.

Search services must also redirect people seeking information related to suicide, self-harm or eating disorders to professional mental health support instead of allowing harmful spirals to unfold.

eSafety argues that many children unintentionally encounter disturbing material at very young ages, often through search results that act as gateways rather than deliberate choices.

The guidance emphasises that adults will still be able to access unblurred material by clicking through, and there is no requirement for Australians to log in or identify themselves before searching.

eSafety maintains that the priority lies in shielding children from images and videos they cannot cognitively process or forget once they have seen them.

These codes will operate alongside existing standards that tackle unlawful content and will complement new minimum age requirements for social media, which are set to begin in mid-December.

Authorities in Australia consider the reforms essential for reducing preventable harm and guiding vulnerable users towards appropriate support services.

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EU targets X for breaking the Digital Services Act

European regulators have imposed a fine of one hundred and twenty million euros on X after ruling that the platform breached transparency rules under the Digital Services Act.

The Commission concluded that the company misled users with its blue checkmark system, restricted research access and operated an inadequate advertising repository.

Officials found that paid verification on X encouraged users to believe their accounts had been authenticated when, in fact, no meaningful checks were conducted.

EU regulators argued that such practices increased exposure to scams and impersonation fraud, rather than supporting trust in online communication.

The Commission also stated that the platform’s advertising repository lacked essential information and created barriers that prevented researchers and civil society from examining potential threats.

European authorities judged that X failed to offer legitimate access to public data for eligible researchers. Terms of service blocked independent data collection, including scraping, while the company’s internal processes created further obstacles.

Regulators believe such restrictions frustrate efforts to study misinformation, influence campaigns and other systemic risks within the EU.

X must now outline the steps it will take to end the blue checkmark infringement within sixty working days and deliver a wider action plan on data access and advertising transparency within ninety days.

Failure to comply could lead to further penalties as the Commission continues its broader investigation into information manipulation and illegal content across the platform.

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