Anthropic introduces Claude to revolutionise learning and teaching

Claude for Education, launched by Anthropic, introduces a specialised AI for higher education, aiming to support universities in teaching, learning, and administration.

The initiative includes key features like Learning mode, full campus access for top universities, and partnerships with organisations like Internet2 and Instructure to integrate AI into academic tools.

Learning mode helps students develop critical thinking by guiding them through problems with Socratic questioning instead of providing direct answers. It also offers templates for research and study.

Key academic partnerships include Northeastern University, London School of Economics, and Champlain College, all of which will benefit from campus-wide access to Claude. These partnerships ensure AI’s responsible integration and accessibility for all students.

New student programs, such as the Claude Campus Ambassadors and API credit initiatives, provide opportunities for students to engage with and build on AI tools.

The launch also coincides with efforts to integrate AI into the academic plans of institutions like Northeastern University, which is pioneering AI adoption in higher education with its ‘Northeastern 2025’ initiative.

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AppLovin joins TikTok takeover frenzy

As the 5 April deadline approaches for TikTok to secure a non-Chinese buyer or face a US ban, the list of potential acquirers continues to grow.

Marketing platform AppLovin has submitted a preliminary bid to acquire TikTok’s operations outside of China, aiming to expand its footprint in the global digital advertising arena.

AppLovin’s move adds to the mounting interest in TikTok, with Amazon and a consortium led by OnlyFans founder Tim Stokely also entering the fray.

These developments come amid US government concerns over TikTok’s Chinese ownership, which officials argue poses national security risks, a claim that TikTok and its parent company, ByteDance, have consistently denied.

The White House has taken an unusually active role in facilitating the sale.

President Donald Trump indicates openness to a deal wherein China approves the transaction in exchange for relief from US tariffs on Chinese imports.

This intertwining of trade negotiations and tech acquisitions underscores the complex geopolitical landscape influencing the fate of TikTok in the US.

Private equity firm Blackstone is also evaluating a minority investment in TikTok’s US operations, potentially joining non-Chinese shareholders like Susquehanna International Group and General Atlantic in contributing fresh capital.

The future of TikTok, an app used by nearly half of all Americans, remains uncertain as the deadline looms and negotiations continue.

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Authors in London protest Meta’s copyright violations

A wave of protest has hit Meta’s London headquarters today as authors and publishing professionals gather to voice their outrage over the tech giant’s reported use of pirated books to develop AI tools.

Among the protesters are acclaimed novelists Kate Mosse and Tracy Chevalier and poet Daljit Nagra, who assembled in Granary Square near Meta’s King’s Cross office to deliver a complaint letter from the Society of Authors (SoA).

At the heart of the protest is Meta’s alleged reliance on LibGen, a so-called ‘shadow library’ known for hosting over 7.5 million books, many without the consent of their authors.

A recent searchable database published by The Atlantic revealed that thousands of copyrighted works, including those by renowned authors, may have been used to train Meta’s AI models, provoking public outcry and legal action in the US.

Vanessa Fox O’Loughlin, chair of the SoA, condemned Meta’s reported actions as ‘illegal, shocking, and utterly devastating for writers,’ arguing that such practices devalue authors’ time and creativity.

‘A book can take a year or longer to write. Meta has stolen books so that their AI can reproduce creative content, potentially putting these same authors out of business’ she said.

Meta has denied any wrongdoing, with a spokesperson stating that the company respects intellectual property rights and believes its AI training practices comply with existing laws.

Still, the damage to trust within the creative community appears significant. Author AJ West, who discovered his novels were listed on LibGen, described the experience as a personal violation:

‘I was horrified to see that my novels were on the LibGen database, and I’m disgusted by the government’s silence on the matter,’ he said, adding, ‘To have my beautiful books ripped off like this without my permission and without a penny of compensation then fed to the AI monster feels like I’ve been mugged.’

Legal action is already underway in the US, where a group of high-profile writers, including Ta-Nehisi Coates, Junot Díaz, and Sarah Silverman, have filed a lawsuit against Meta for copyright infringement.

The suit alleges that Meta CEO Mark Zuckerberg and other top executives knew that LibGen hosts pirated content when they greenlit its use for AI development.

The protest is also aimed at UK lawmakers. Authors like Richard Osman and Kazuo Ishiguro have joined the call for British officials to summon Meta executives before parliament.

The Society of Authors has launched a petition on Change.org that has already attracted over 7,000 signatures.

Demonstrators were urged to bring placards and spread their message online using hashtags like #MetaBookThieves and #MakeItFair as they rally against alleged copyright violations and for broader protection of creative work in the age of AI.

The case, one of the lots, describes the increasingly tense relationship between the tech industry, content and data policies in training AI systems, which hardly depend on the written word and the most various literature, facts, and info from the written tradition to be trained (and thus able) to respond to most various user requests and alongside be accurate in their responses.

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TikTok bidding war intensifies as Amazon enters the fray

The roster of potential acquirers is expanding as the deadline for TikTok to secure a non-Chinese buyer approaches.

Amazon and a consortium led by OnlyFans founder Tim Stokely have recently expressed interest in purchasing the popular short-video platform.

The US government has set a 5 April deadline for TikTok to divest from its Chinese parent company, ByteDance, or face a ban due to national security concerns.

Stokely’s new venture, Zoop, in collaboration with the Hbar Foundation, which manages the Hedera cryptocurrency network, has submitted a late-stage bid to acquire TikTok.

Their proposal emphasises a novel ownership model to benefit creators and their communities directly.

Zoop positions itself as a mainstream, family-friendly platform, distinct from the adult-content focus of OnlyFans.

The consortium has partnered with undisclosed investors to support their bid.

Amazon has also entered the fray, confirming its interest in TikTok through a letter addressed to Vice President JD Vance and Commerce Secretary Howard Lutnick.

While Amazon has not publicly commented on the specifics, this move aligns with its longstanding ambition to establish a foothold in social media.

The tech giant previously acquired live-streaming platform Twitch and book review site Goodreads and has experimented with short-form video features akin to TikTok.

Other contenders include a group led by Oracle, with participation from venture capital firms such as Andreessen Horowitz and private equity firm Blackstone, all exploring potential investments in TikTok’s US operations.

The White House oversees negotiations, aiming to restructure TikTok into a US-based entity with Chinese ownership reduced below 20% to comply with legal requirements.

The urgency surrounding TikTok’s sale stems from a 2024 law mandating ByteDance to divest the app by 19 January, citing national security risks.

US officials have expressed concerns that ByteDance’s ownership could enable the Chinese government to conduct influence operations and collect data on American users.

As the deadline looms, TikTok’s future in the US remains uncertain, with multiple parties vying for platform control. ​

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Meta’s Hypernova smart glasses promise cutting-edge features and advanced display technology

Meta is preparing to launch an advanced pair of smart glasses under the codename Hypernova, featuring a built-in display and gesture control capabilities.

The new device, developed in partnership with Ray-Ban, aims to enhance user convenience by offering features such as media viewing, map navigation, and app notifications.

Unlike previous models, the Hypernova glasses will have a display located in the lower right corner of the right lens, allowing users to maintain a clear view through the left lens.

The glasses will be powered by Qualcomm silicon and run on a customised version of Android. Meta is also developing a wristband, codenamed Ceres, which will provide gesture-based controls, including pinch-to-zoom and wrist rotation.

The wristband is expected to be bundled with the glasses, offering users a more seamless and intuitive experience.

Retail pricing for the Hypernova smart glasses is expected to range between $1,000 and $1,400, significantly higher than current VR-ready smart glasses like the Viture Pro and Xreal One.

However, Meta aims to differentiate its product through enhanced functionality and fashionable design, making it an appealing option for consumers looking for both style and utility.

The Hypernova glasses are projected to hit the market by the end of 2025. Meta is also developing additional augmented reality products, including the Orion holographic glasses and research-focused Aria Gen 2 AR glasses.

Competitors like Samsung are expected to launch similar Android-based smart glasses around the same time, setting the stage for an exciting year in the wearable tech market.

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Ghibli trend as proof of global dependence on AI: A phenomenon that overloaded social networks and systems

It is rare to find a person in this world (with internet access) who has not, at least once, consulted AI about some dilemma, idea, or a simple question.

The wide range of information and rapid response delivery has led humanity to embrace a ‘comfort zone’, allowing machines to reason for them, and recently, even to create animated photographs.

This brings us to a trend that, within just a few days, managed to spread across the planet through almost all meridians – the Ghibli style emerged spontaneously on social networks. When people realised they could obtain animated versions of their favourite photos within seconds, the entire network became overloaded.

 Art, Painting, Person, Computer, Computer Hardware, Computer Keyboard, Electronics, Hardware, Face, Head, Cartoon, Pc, Book, Publication, Yuriko Yamaguchi

Since there was no brake mechanism, reactions from leading figures were inevitable, with Sam Altman, CEO of OpenAI, speaking out.

He stated that the trend had surpassed all expectations and that servers were ‘strained’, making the Ghibli style available only to ChatGPT users subscribed to Plus, Pro, and Team versions.

Besides admiring AI’s incredible ability to create iconic moments within seconds, this phenomenon also raises the issue of global dependence on artificial intelligence.

Why are we all so in love with AI?

The answer to this question is rather simple, and here’s why. Imagine being able to finally transform your imagination into something visible and share all your creations with the world. It doesn’t sound bad, does it?

This is precisely where AI has made its breakthrough and changed the world forever. Just as Ghibli films have, for decades, inspired fans with their warmth and nostalgia, AI technology has created something akin to the digital equivalent of those emotions.

People are now creating and experiencing worlds that previously existed only in their minds. However, no matter how comforting it sounds, warnings are often raised about maintaining a sense of reality to avoid ‘falling into the clutches’ of a beautiful virtual world.

Balancing innovation and simplicity

Altman warned about the excessive use of AI tools, stating that even his employees are sometimes overwhelmed by the progress of artificial intelligence and the innovations it releases daily.

As a result, people are unable to adapt as quickly as AI, with information spreading faster than ever before.

However, there are also frequent cases of misuse, raising the question – where is the balance?

The culture of continuous production has led to saturation but also a lack of reflection. Perhaps this very situation will bring about the much-needed pause and encourage people to take a step back and ‘think more with their own heads’.

Ghibli is just one of many: How AI trends became mainstream

AI has been with us for a long time, but it was not as popular until major players like OpenAI, Gemini, Azure, and many others appeared. The Ghibli trend is just one of many that have become part of pop culture in recent years.

Since 2018, we have witnessed deepfake technologies, where various video clips, due to their ability to accurately recreate faces in entirely different contexts, flood social networks almost daily.

AI-generated music and audio recordings have also been among the most popular trends promoted over the past four years because they are ‘easy to use’ and offer users the feeling of creating quality content with just a few clicks.

There are many other trends that have captured the attention of the global public, such as the Avatar trend (Lensa AI), generated comics and stories (StoryAI and ComicGAN), while anime-style generators have actually existed since 2022 (Waifu Labs).

Are we really that lazy or just better organised?

The availability of AI tools at every step has greatly simplified everyday life. From applications that assist in content creation, whether written or in any other format.

For this reason, the question arises – are we lazy, or have we simply decided to better organise our free time?

This is a matter for each individual, and the easiest way to examine is to ask yourself whether you have ever consulted AI about choosing a film or music, or some activity that previously did not take much energy.

AI offers quick and easy solutions, which is certainly an advantage. However, on the other hand, excessive use of technology can lead to a loss of critical thinking and creativity.

Where is the line between efficiency and dependence if we rely on algorithms for everything? That is an answer each of us will have to find at some point.

A view on AI overload: How can we ‘break free from dependence’?

The constant reliance on AI and the comfort it provides after every prompt is appealing, but abusing it leads to a completely different extreme.

The first step towards ‘liberation’ is to admit that there is a certain level of over-reliance, which does not mean abandoning AI altogether.

Understanding the limitations of technology can definitely be the key to returning to essential human values. Digital ‘detox’ implies creative expression without technology.

Can we use technology without it becoming the sole filter through which we see the world? After all, technology is a tool, not a dominant factor in decision-making in our lives.

Ghibli trend enthusiasts – the legendary Hayao Miyazaki does not like AI

The founder of Studio Ghibli, Hayao Miyazaki, recently reacted to the trend that has overwhelmed the world. The creator of famous works such as Princess Mononoke, Howl’s Moving Castle, Spirited Away, My Neighbour Totoro, and many others is vehemently opposed to the use of AI.

Known for his hand-drawn approach and whimsical storytelling, Miyazaki has addressed ethical issues, considering that trends and the mass use of AI tools are trained on large amounts of data, including copyrighted works.

Besides criticising the use of AI in animation, he believes that such tools cannot replace the human touch, authenticity, and emotions conveyed through the traditional creation process.

For Miyazaki, art is not just a product but a reflection of the artist’s soul – something machines, no matter how advanced, cannot truly replicate.

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Trump’s last TikTok call

As the clock ticks toward a 5 April deadline, President Donald Trump is preparing to review a final proposal that could decide the fate of TikTok’s US operations.

A high-stakes Oval Office meeting is set for Wednesday, gathering Vice President JD Vance, Commerce Secretary Howard Lutnick, National Security Adviser Mike Waltz, and Director of National Intelligence Tulsi Gabbard.

The urgency stems from a 2024 law mandating that TikTok divest from Chinese ownership or face a ban on national security grounds.

According to recent reports, a deal may be on the horizon. Trump announced on Sunday that he expects an agreement to be finalised before the deadline.

Central to the negotiations is a group of prominent American investors—including Oracle, private equity firm Blackstone, and venture capital firm Andreessen Horowitz, exploring ways to take over TikTok’s US business from Chinese parent company ByteDance.

The strategy appears to centre on consolidating the stakes of ByteDance’s existing non-Chinese investors, such as Susquehanna International Group and General Atlantic, with an infusion of fresh capital.

The involvement of Andreessen Horowitz, one of Silicon Valley’s most influential firms, underscores the political and financial stakes.

Co-founder Marc Andreessen, a Trump ally, is reportedly coordinating efforts to buy out TikTok’s Chinese stakeholders and reshape the platform’s governance under American leadership.

The Financial Times noted that Oracle and other US-based investors spearhead this initiative, further blurring the lines between political oversight and market acquisition.

Reuters also confirmed that Blackstone is weighing a minority stake in the deal, adding another heavyweight to the potential investor roster.

However, both TikTok and Andreessen Horowitz have declined to comment on the ongoing talks.

Behind the scenes, Trump and his advisors effectively act as intermediaries, with JD Vance reportedly overseeing the auction-like process, a rare move that places the executive branch in a quasi-financial role.

With over 170 million American users, TikTok’s fate is more than just a business matter; it’s a flashpoint in the wider conversation about data sovereignty, tech influence, and US-China digital rivalry.

As negotiations intensify, the Biden-era regulatory stance on tech mergers appears to give way to a more deal-oriented, ‘America First’ strategy under Trump.

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MetaAI launches in Europe amid data concerns

Meta has resumed the roll-out of its MetaAI across Europe after halting the launch last year due to regulatory uncertainty.

The Irish Data Protection Commission (DPC) still has questions regarding Meta’s AI tool, particularly in relation to its use of personal data from Facebook and Instagram users to train large language models.

The company has been in discussions with the DPC, but instead of an agreement, it remains under review as the tool continues to roll out.

MetaAI was first introduced in the US in September 2023, followed by India in June 2024, and the UK in October. It enables users to interact with a chat function across Facebook, Instagram, Messenger, and WhatsApp.

However, its expansion in Europe faced delays last summer due to concerns raised by the Irish privacy watchdog.

The company has expressed confidence in its compliance with the EU’s data protection laws and has been transparent with the DPC about its launch. However, failure to comply with the General Data Protection Regulation (GDPR) could lead to significant fines.

Additionally, certain aspects of MetaAI fall under the scope of Europe’s Digital Services Act (DSA), which requires the company to meet specific standards on user safety and transparency.

The European Commission has indicated it is waiting for a risk assessment from Meta to ensure that the tool complies with DSA obligations. While initial elements may not be directly relevant to the DSA, the Commission will continue to monitor the deployment closely.

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European Commission charges €58.2 million in fees for DSA enforcement

The European Commission has charged the largest online platforms in the EU a total of €58.2 million in supervisory fees for their enforcement under the Digital Services Act (DSA).

These fees, which apply to platforms with over 45 million users per month, aim to fund the Commission’s activities for DSA enforcement, including administrative and human resource costs.

Meta, TikTok, and Google have filed five pending court cases against the fees, challenging the charges.

The DSA, designed to increase platform accountability, became fully applicable in February 2024, and the Commission has designated 25 Very Large Online Platforms, including major players like Amazon and LinkedIn.

During the 2024 period, the Commission launched formal proceedings against several platforms and sent over 100 requests for information.

However, instead of these fees fully covering the Commission’s expenses, they led to a deficit of €514,061. Investigations into platforms like X are ongoing, with transparency issues being a key concern.

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