Siemens buys Dotmatics to boost AI drug research

Siemens announced on Wednesday its acquisition of US software firm Dotmatics for $5.1 billion, aiming to enhance its AI capabilities for drug discovery.

The German company described the deal as complementary to its expansion into Life Sciences, positioning itself in a market increasingly reliant on digital transformation to meet growing medical needs.

Siemens expects Dotmatics to generate $100 million annually in the mid-term, rising to $500 million in the long run, and said the acquisition would be immediately profitable. The transaction is set to be completed in the first half of next year.

Founded in 2005, Dotmatics employs 800 people and specialises in AI-driven R&D software designed to accelerate drug research. This move follows Siemens’ recent $10 billion purchase of another AI-powered US software firm, Altair Engineering.

As Siemens’ industrial software faces slowing demand, its digital division has been driving revenue growth instead of its traditional factory automation products. The company, Germany’s second-largest by market value, continues expanding its software portfolio to capitalise on AI-driven innovations.

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Anthropic introduces Claude to revolutionise learning and teaching

Claude for Education, launched by Anthropic, introduces a specialised AI for higher education, aiming to support universities in teaching, learning, and administration.

The initiative includes key features like Learning mode, full campus access for top universities, and partnerships with organisations like Internet2 and Instructure to integrate AI into academic tools.

Learning mode helps students develop critical thinking by guiding them through problems with Socratic questioning instead of providing direct answers. It also offers templates for research and study.

Key academic partnerships include Northeastern University, London School of Economics, and Champlain College, all of which will benefit from campus-wide access to Claude. These partnerships ensure AI’s responsible integration and accessibility for all students.

New student programs, such as the Claude Campus Ambassadors and API credit initiatives, provide opportunities for students to engage with and build on AI tools.

The launch also coincides with efforts to integrate AI into the academic plans of institutions like Northeastern University, which is pioneering AI adoption in higher education with its ‘Northeastern 2025’ initiative.

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OpenAI CEO says India leads in AI creativity

Sam Altman sparked interest among Indian users on X after praising the country’s rapid AI adoption and sharing an AI-generated image of himself playing cricket. In his 2 April post, the OpenAI CEO called India’s AI creativity an ‘explosion,’ claiming the country was outpacing the world in adoption rates.

Users questioned why Altman singled out India, with some turning to AI chatbots like Perplexity and Grok for verification. His comments followed a February visit to India, where he met IT Minister Ashwini Vaishnaw and highlighted India as OpenAI’s second-largest market.

Altman’s remarks also came shortly after OpenAI’s GPT-4o update, which enhanced AI-generated images and illustrations. To showcase this, he shared an anime-style image of himself as a cricket player, sporting a Team India jersey.

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Bill Gates foresees AI-driven two-day work weeks

Bill Gates has predicted that AI will reduce work hours significantly, with two-day work weeks becoming a reality in the next decade.

His vision contrasts with views in India, where figures like Narayana Murthy and S.N. Subrahmanyan argue for longer work hours instead of reducing them, believing they are crucial for economic growth.

However, Harsh Goenka and Harish Mariwala, who focus on ambition and productivity instead of hours worked, have a different take. They stress the importance of quality instead of quantity in work hours.

Studies, such as those from Iceland and New Zealand, suggest that reduced working hours can lead to higher productivity and a better work-life balance.

In Iceland, trials reducing weekly hours from 40 to 35 saw workers feeling more energised and less stressed, while New Zealand’s Perpetual Guardian found that employees completed tasks in fewer hours, raising engagement and reducing stress.

Despite Gates’ prediction, the idea of working only two days a week seems extreme, especially considering his past work ethic.

Gates himself worked long hours instead of fewer ones during his early career, fearing mistakes could cost him his company, but he acknowledges that AI and technology have shifted the landscape.

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Meta’s AI research VP Joelle Pineau announces departure

Joelle Pineau, the Vice President of AI research at Meta, announced she will be leaving the company by the end of May, after nearly eight years with the organisation.

Pineau, who joined Meta in 2017, has overseen key AI initiatives, including the FAIR research unit, PyTorch, and the Llama AI models.

In a LinkedIn post, Pineau reflected on her time at Meta, mentioning the creation of groundbreaking AI projects such as PyTorch, FAISS, and Roberta.

She expressed gratitude for the opportunity to work alongside top AI researchers, with the aim of accelerating innovation through open-source contributions.

Pineau, also a professor at McGill University, stated that after her departure, she plans to take some time to reflect before pursuing new ventures. Her departure comes as Meta intensifies its focus on AI, including the recent launch of its Meta AI chatbot in Europe.

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Nokia expands 5G partnership with Airtel

Nokia has signed a multi-year deal with Bharti Airtel to expand their core network collaboration instead of maintaining a limited partnership, aiming to enhance 5G service delivery.

The move will integrate 5G and 4G technologies into a unified server setup instead of running them separately, while also helping Airtel grow its 4G/5G customer base.

Nokia’s Fixed Wireless Access (FWA) will provide additional solutions for home broadband and enterprise-critical applications instead of relying solely on traditional infrastructure.

The rollout will cover network automation across most Airtel service regions in India, helping the telecom giant optimise its hardware footprint and reduce costs per bit by using appliance-based Packet Core gateways.

Airtel CTO Randeep Sekhon highlighted that Nokia’s Packet Core deployment will improve network quality and reliability instead of allowing congestion to impact customers.

Nokia’s president of cloud and network services, Raghav Sahgal, emphasised that this collaboration strengthens Airtel’s 5G standalone (SA) readiness, reinforcing Nokia’s leadership in core network solutions in India and globally.

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Ghibli trend as proof of global dependence on AI: A phenomenon that overloaded social networks and systems

It is rare to find a person in this world (with internet access) who has not, at least once, consulted AI about some dilemma, idea, or a simple question.

The wide range of information and rapid response delivery has led humanity to embrace a ‘comfort zone’, allowing machines to reason for them, and recently, even to create animated photographs.

This brings us to a trend that, within just a few days, managed to spread across the planet through almost all meridians – the Ghibli style emerged spontaneously on social networks. When people realised they could obtain animated versions of their favourite photos within seconds, the entire network became overloaded.

 Art, Painting, Person, Computer, Computer Hardware, Computer Keyboard, Electronics, Hardware, Face, Head, Cartoon, Pc, Book, Publication, Yuriko Yamaguchi

Since there was no brake mechanism, reactions from leading figures were inevitable, with Sam Altman, CEO of OpenAI, speaking out.

He stated that the trend had surpassed all expectations and that servers were ‘strained’, making the Ghibli style available only to ChatGPT users subscribed to Plus, Pro, and Team versions.

Besides admiring AI’s incredible ability to create iconic moments within seconds, this phenomenon also raises the issue of global dependence on artificial intelligence.

Why are we all so in love with AI?

The answer to this question is rather simple, and here’s why. Imagine being able to finally transform your imagination into something visible and share all your creations with the world. It doesn’t sound bad, does it?

This is precisely where AI has made its breakthrough and changed the world forever. Just as Ghibli films have, for decades, inspired fans with their warmth and nostalgia, AI technology has created something akin to the digital equivalent of those emotions.

People are now creating and experiencing worlds that previously existed only in their minds. However, no matter how comforting it sounds, warnings are often raised about maintaining a sense of reality to avoid ‘falling into the clutches’ of a beautiful virtual world.

Balancing innovation and simplicity

Altman warned about the excessive use of AI tools, stating that even his employees are sometimes overwhelmed by the progress of artificial intelligence and the innovations it releases daily.

As a result, people are unable to adapt as quickly as AI, with information spreading faster than ever before.

However, there are also frequent cases of misuse, raising the question – where is the balance?

The culture of continuous production has led to saturation but also a lack of reflection. Perhaps this very situation will bring about the much-needed pause and encourage people to take a step back and ‘think more with their own heads’.

Ghibli is just one of many: How AI trends became mainstream

AI has been with us for a long time, but it was not as popular until major players like OpenAI, Gemini, Azure, and many others appeared. The Ghibli trend is just one of many that have become part of pop culture in recent years.

Since 2018, we have witnessed deepfake technologies, where various video clips, due to their ability to accurately recreate faces in entirely different contexts, flood social networks almost daily.

AI-generated music and audio recordings have also been among the most popular trends promoted over the past four years because they are ‘easy to use’ and offer users the feeling of creating quality content with just a few clicks.

There are many other trends that have captured the attention of the global public, such as the Avatar trend (Lensa AI), generated comics and stories (StoryAI and ComicGAN), while anime-style generators have actually existed since 2022 (Waifu Labs).

Are we really that lazy or just better organised?

The availability of AI tools at every step has greatly simplified everyday life. From applications that assist in content creation, whether written or in any other format.

For this reason, the question arises – are we lazy, or have we simply decided to better organise our free time?

This is a matter for each individual, and the easiest way to examine is to ask yourself whether you have ever consulted AI about choosing a film or music, or some activity that previously did not take much energy.

AI offers quick and easy solutions, which is certainly an advantage. However, on the other hand, excessive use of technology can lead to a loss of critical thinking and creativity.

Where is the line between efficiency and dependence if we rely on algorithms for everything? That is an answer each of us will have to find at some point.

A view on AI overload: How can we ‘break free from dependence’?

The constant reliance on AI and the comfort it provides after every prompt is appealing, but abusing it leads to a completely different extreme.

The first step towards ‘liberation’ is to admit that there is a certain level of over-reliance, which does not mean abandoning AI altogether.

Understanding the limitations of technology can definitely be the key to returning to essential human values. Digital ‘detox’ implies creative expression without technology.

Can we use technology without it becoming the sole filter through which we see the world? After all, technology is a tool, not a dominant factor in decision-making in our lives.

Ghibli trend enthusiasts – the legendary Hayao Miyazaki does not like AI

The founder of Studio Ghibli, Hayao Miyazaki, recently reacted to the trend that has overwhelmed the world. The creator of famous works such as Princess Mononoke, Howl’s Moving Castle, Spirited Away, My Neighbour Totoro, and many others is vehemently opposed to the use of AI.

Known for his hand-drawn approach and whimsical storytelling, Miyazaki has addressed ethical issues, considering that trends and the mass use of AI tools are trained on large amounts of data, including copyrighted works.

Besides criticising the use of AI in animation, he believes that such tools cannot replace the human touch, authenticity, and emotions conveyed through the traditional creation process.

For Miyazaki, art is not just a product but a reflection of the artist’s soul – something machines, no matter how advanced, cannot truly replicate.

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OpenAI is now valued at $300 billion after new funding

OpenAI has secured a $40 billion funding deal from SoftBank, pushing its valuation to $300 billion instead of staying below that mark, making it the third most valuable private company in the world.

It now ranks behind Elon Musk’s SpaceX, valued at around $350 billion, instead of taking the top spot, and TikTok’s parent company, ByteDance, which stands at approximately $315 billion.

The valuation surpasses major firms like Chevron, Salesforce, McDonald’s, Pepsico, and Samsung instead of lagging behind them.

Funding is structured in two phases, beginning with an initial $10 billion investment. The remaining $30 billion is expected to be provided by the end of 2025, as reported by the New York Times.

OpenAI stated that this capital will allow the company to advance AI research instead of stagnating and expand its infrastructure with more powerful tools.

Founded in 2015 as a non-profit, OpenAI later shifted to a capped-profit model to attract investment instead of relying solely on donations while continuing its work in AI development.

Despite facing operational challenges and legal disputes, including a high-profile lawsuit from Musk opposing its transition to a profit-driven model, OpenAI has continued to grow.

Its ChatGPT platform now boasts 500 million weekly users instead of seeing a decline. In February, investors, including Musk, sought control of the firm, but CEO Sam Altman firmly rejected the proposal, reaffirming that ‘OpenAI is not for sale’ instead of giving in to external pressure.

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AI technology sparks debate in Hollywood

Hollywood is grappling with AI’s increasing role in filmmaking, with executives, actors, and developers exploring the technology’s potential. At a recent event, industry leaders discussed AI-generated video, heralded as the biggest breakthrough since the advent of sound in cinema.

Despite its growing presence, AI’s impact remains controversial, especially after recent strikes from actors and writers seeking protection from AI exploitation.

AI technology is making its way into movies and TV shows, with Oscar-nominated films like Emilia Perez and The Brutalist using AI for voice alterations and actor de-aging. AI’s capacity to generate scripts, animation, and even actors has led to fears of job displacement, particularly for background actors.

However, proponents like Bryn Mooser of Moonvalley argue that AI can empower filmmakers, especially independent creators, to produce high-quality content at a fraction of traditional costs.

While Hollywood is still divided on AI’s potential, several tech companies, including OpenAI and Google, are lobbying for AI models to access copyrighted art to fuel their development, claiming it’s vital for national security.

The push has met resistance from filmmakers who fear it could undermine the creative industry, which provides millions of jobs. Despite the opposition, AI’s role in filmmaking is rapidly expanding, and its future remains uncertain.

Some in the industry believe AI, if used correctly, can enhance creativity by allowing filmmakers to create worlds and narratives beyond their imagination. However, there is a push to ensure that artists remain central to this transformation, and that AI’s role in cinema respects creators’ rights and protections.

As AI technology evolves, Hollywood faces a critical choice: embrace it responsibly instead of the risk of being overtaken by powerful tech companies.

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